From the warm south to the frozen south - don't forget that Alice Giles's Arctic adventure is currently in full swing, and you can follow her amazing story on her blog.
We are happy to hear the blue harp is bearing up well -
"I hardly dared check on the harp once we got it back – I let it acclimatise in the cold room first and got myself a cup of tea – but when I checked the tuning it was bang on pitch – not a bit sharp and seemingly unconcerned..."
Harpblog runs an occasional series of articles about studying in different cities and countries. Thus far, I have written a grand total of one article in the series, about studying in Paris. The idea is to unravel the sometimes idiosyncratically-designed websites of individual conservatoires, and also provide information in English as this is not always easily available.
That said, today's 'Studying in...' post is about a country where the conservatoire websites are superbly well-organised, and most people speak better English than I do - the Netherlands. As those of you who attended the 2008 World Harp Congress in Amsterdam will have perceived, the Dutch harp scene is of a remarkably high level, with a rare combination of top technical standards plus musical open-mindedness and breadth. Excellent contemporary music, early harp, one of the best orchestras in the world in the form of the Concertgebouw and many great names of the harp world all belong to the Netherlands. Consider Edward Witsenburg, Erika Waardenburg, Petra van der Heide, Gwyneth Wentink, Lavinia Meijer, Ernestine Stoop, Anton Sie, Miriam Overlach...not to mention Remy van Kesteren and his team, who have put the Dutch Harp Festival firmly on the international map from its very first edition.
Here is another article for those of you who read French: "La Harpe - 5000 ans d'histoire", by Patrice Creveux. It appeared in the October 2010 edition of the French magazine Keyboards Recording.
The article also includes some kind words about Camac!
"Camac Harps, based in the Loire-Atlantique area, is the only manufacturer of concert harps in France, employing around sixty people. Founded by Joël Garnier in 1972, since his death the firm has been led by the harpist Jakez François. While tradition is respected to the highest degree in crafting the instruments, innovation also has a special place at the heart of this company. It was with the creation of the "memory harp" - powered by computer - that Camac made its mark as a pedal harp maker in 1985 (this instrument is now part of the collection of the Musée de la musique in Paris). The "Blue harps" which have appeared from 1990 onwards explore the world of amplification for both concert and lever harps, right up to and including MIDI technology. In 2007, the company was awarded the title "a company of living heritage". This honour was bestowed by the minister for artisans, to honour those who contribute to the economic and cultural development of our country."
You can read the rest by downloading the PDF below.
I have archived Harpblog's past articles. You can now browse them by category via the links under our photo albums, in the sidebar to the left. Discover what Harpblog has ever had to say on subjects like concerts, masterclasses, the blue harp, Camac history, jazz, professors, technology, and gratuitous photographs of Athy.
